quarta-feira, abril 30, 2014

Data Data Everywhere…What Price An Insight?

Data Data Everywhere…What Price An Insight?

Edward Appleton
Posted by Edward Appleton Thursday, April 17, 2014, 9:25 am
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Are clientside researchers, and the industry overall, in good shape – or are we simply one of many industries being disrupted by web-based technologies?

 

By Edward Appleton

Market Research is going through exciting times – mobile, communities, biometrics are just some of the new ways technology is helping us get closer, and for longer, to the audiences we wish to understand.

DIY providers are another exciting innovation – for those with the time and ability, it's easy to link up to online access panels, use survey software at a very low cost and reduce the price-per-complete radically. Zappistore, Gutcheck are two of the higher profile DIY providers who are addressing the perception of research being slow and expensive.

Google Consumer Surveys is another major entrant – making the microsurvey a serious contender for insights gathering, and giving mobile a considerable boost in the process as a data collection mode.

Where does this leave the concept of insights? Is it flourishing, with all the exciting array of data points available almost immediately? Is the circle effectively squared – better tools + lower price points = better insights?

Are clientside researchers, and the industry overall, in good shape – or are we simply one of many industries being disrupted by web-based technologies?

I fear the two concepts – masses of ever-cheaper data and insights excellence – may not be in synch with one another, possibly even going in opposite directions – data virtually omnipresent, insights increasingly rare, not to say endangered. Here's my take.

1. Insights Departments are Challenged.

Clientside research departments are – according to consistent anecdotal evidence -  not growing. On the contrary, fewer client researchers are often expected to handle more work, more datapoints – with budgets that are often flat, perhaps in slight decline.

This equation often doesn't add up – with MR turnaround times becoming ever shorter, volumes increasing, with less time to add value strategically.

This is a double-edged sword – a commodity trap, that can lead to the erosion of perceived value at higher levels of an organization.

Outsourcing is a potential option – but there is a limited number of those on the Agency side with the sufficient all-round business understanding and interpersonal skills to make a significant impact.

2. More Data doesn't Necessarily Help

We are currently witnessing an extreme, almost frightening drop in the costs needed to access many forms of "insight" work – qual. and quant. This leads to a surge in volume – and an expansion of the market overall, as more companies can afford to execute a form of market research. It doesn't automatically mean an increase of value delivered, and it doesn't per se lead to an explosion of insights.

The option of having easy access to more data can actually easily be a distraction – find out this quickly, include that additional survey question last-minute…..perspiration for sure – but inspiration?

Asking the right business questions, spending more time working on the implications, comparing with alternative data streams, focusing on critically relevant data – these added-value areas easily get squeezed out. The MR discipline is in danger of becoming increasingly tactical. We need to regain strategic weight – which leads me to the next point.

3. Insights Culture – How Deeply Ingrained?

Many companies state that they are driven by the customer – definitely included in corporate literature, VOC commitment reads well as a necessary part of corporate philosophy.

The reality is often somewhat different. The "customer" is often a major corporate account rather than end users – the voice of the sales person the dominant factor. Operations – finance, sales, supply chain – often hold more weight internally than those paid to represent the outside view, such as Insights.

There are many reasons for this – a topic for a future blog. The critical question is: what does it take to create a strong Insights culture? I'd suggest the following:

  • the attention and support of senior management
  • a marketing-infused culture
  • a strong departmental profile for insights
  • an insights attitude characterized more by goal- rather than process-orientation
  • the ability to speak the language that resonates amongst budget-owners.

How many of the seminars and congresses we attend look at these issues, and how many still focus on methodology?

Returning to my original question: is it an exciting time for insights? I see the glass as half full.

Market Research no doubt has the potential to be an immensely powerful tool; we have a more refined understanding of the limits of direct questioning techniques, seemingly unlimited access to data, and an enhanced toolkit. All this should add up to more impact – if we can consistently demonstrate and communicate the impact insights have. Improved tools on their own won't generate superior insights – it's our skillsets that have to improve and deliver.

As economies emerge from a recessionary climate, companies' confidence to invest increases, we need to grab all opportunities to add value, not just reduce cost, and ensure that insights is a discipline that gets at least its fair share of the marketing budget.

Curious, as ever, as to others' views.



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quinta-feira, abril 24, 2014

Shazam! The Echo Nest, 7 Digital Take Music ID Open Source With Echoprint

Shazam! The Echo Nest, 7 Digital Take Music ID Open Source With Echoprint

Music intelligence company The Echo Nest has launched Echoprint, an open-source music fingerprint service which  enables the development of apps that identify songs on the go. The Echo Nest is partnering with 7digital to launch with a resolvable catalog of 13 million songs, a number that should grow with the addition of partners. With Echoprint, music identification, once a highly-proprietary technology, now belongs to the community at large.

Free Open-Source Competitor To Shazam

Music identifaction apps regularly rank among the most popular paid offerings in app stores; and just this week, sector leader Shazam announced $32 million in new funding.

Could Echoprint's open source platform lead to dozens of Shazam competitors?  "Echoprint is very different than Shazam under the hood," Brian Whitman, from The Echo Nest told Hypebot. "It was architected from the start to be fast and scalable and to accept new songs from anyone with no degradation in quality of matches. It's meant to be open to the world rather than a curated system."  Shazam has also said that it expects 50% of its revenue to come from related offerings for television networks and advertisers.

Why didn't The EchoNest just create its own app? "The Echo Nest is a music data platform,"  according to Whitman. "We're much more comfortable working on the science and data and letting our beloved community of developers and customers build the best possible experience. We're confident within months there will be dozens of amazing new music experiences built on Echoprint that we'd never even think of."

Some Echo Nest’s partners have already been using Echoprint for 18 months, and now as open-source software, it should improve as a wider variety of developers and partners add their own experience and imagination. A partnership with the open music encyclopedia MusicBrainz will make dozens of existing music resolving apps Echoprint-aware in the coming weeks.

 

quarta-feira, abril 23, 2014

Radio Is Still the Most Popular Way to Find New Music, Study Says

 

Radio Is Still the Most Popular Way to Find New Music, Study Says

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IMAGE: FLICKR, RICK THORPE

BY MATT PETRONZIOMAR 28, 2014

 

With the rise of services such as Spotify, Pandora, iTunes and countless others, it's clear that digital music is booming. But when it comes to music discovery, new listeners bypass these apps and tools for a class device — the radio.

According to a new report from Edison Research and Triton Digital, AM/FM radios remain the most popular method of finding new artists. Word of mouth via friends and family is the second most popular, with YouTube nabbing the third spot.

SEE ALSO: 6 Twitter Accounts That Will Find You Free Music

The data is based on a survey given to 950 Americans older than 12, who said that staying up-to-date on music is "very important" or "somewhat important."

The following chart, created by Statista, breaks down the top sources for music discovery.

IMAGE: STATISTA

Have something to add to this story? Share it in the comments.

 

Radio Industry, Music Copyright Law and Streaming Music News, April 6, 2014

Radio Industry, Music Copyright Law and Streaming Music News, April 6, 2014

Posted By Julia Rogers on April 6th, 2014   

A new study revealed that radio is still the most popular music discovery method. Also, the music industry rallied to put together a unified lobbying message. And Google, Apple and Amazon could be enhancing their streaming offerings in order to compete with Spotify once it goes public.

 

 

Radio Still Delivering New Music to Fans

 

Music fans still see radio as the main taste maker when it comes to discovering new artists and songs, according to a recent study conducted by Edison Research and Triton Digital.

 

Mashable reported that while Spotify, Pandora, iTunes and other digital music sources are growing, radio is still the most popular method for music discovery, with word of mouth via friends and family coming in second place. YouTube is the third most popular method, with nine-percent of respondents admitting they use it to find new tunes.

 

Data was collected from 950 American music fans over 12 who responded that keeping up with the latest music is “very important” or “somewhat important” to them. And 35% of Americans, who try to keep up with the latest music, consider FM/AM radio their number-one source to keep up with the latest trends.

 

The chart below, courtesy of Statista points out the top discovery sources.   

 

 Music Industry Working on a “Unified Message”

 

The president of the National Academy of Recording Arts and Sciences – the force behind the Grammy® Awards – Neil Portnow hosted a dinner in Washington on Wednesday for a collection of Capitol Hill’s most influential legislators – including House minority leader Nancy Pelosi and majority whip Kevin McCarthy – as well as music executives in order to encourage music industry players to put their differences aside and lobby under “a single message of fair compensation for all.”

 

The New York Times reported, executives are concerned that fighting among record labels, music publishers, artists, songwriters and others will prevent new legislation and regulatory reform that could help those in the music business get proper compensation for their work.

 

Portnow’s speech suggested that the conflicting messages coming from different parts of the industry have stalled and ultimately quashed campaigns to help bring in more money. He supported executives’ belief that one multi-purpose bill will help everyone.

 

Music groups are currently fighting for new laws and regulations to help their businesses grow and thrive in the Digital Age, but their methods have not been in alignment.

 

For instance, record labels have wanted to change federal laws that make AM/FM broadcasters pay royalties to publishers and owners of songwriting copyrights but not to record labels. But publishers have been afraid that giving more control to record companies might take money away from them. And radio broadcasters have also opposed record labels’ initiatives and thwarted them.

 

Groups across the industry have also argued about the amount of money paid out by streaming services like Pandora and Spotify. Federal courts regulate the royalty rates paid by these platforms, and publishers have complained record labels are taking too much of the revenue. Pandora’s financial statements showed the company pays approximately four-percent of its annual revenue to publishers and other copyright holders and over 50 percent to labels.

 

David Israelite, president of the National Music Publishers’ Association (NMPA) said, “While we and record labels may agree that Pandora should pay a maximum amount possible of their revenue for music, it doesn’t mean that we agree that the money should be split 13 to one.”

 

Publishers pushed for a new bill, the Songwriter Equity Act, in February. This bill would give rate-court judges the power to take the royalties record companies receive into account when setting publisher rates. Publishers have also been trying to get the U.S. Justice Department to amend the 73-year-old regulatory agreements that set the rules for PROs ASCAP and BMI.

 

Music groups also still hope for a review of copyright law, led by Republican Representative Robert W. Goodlatte and the chairman of the Judiciary Committee.

 

Record labels and publishers have frequently butted heads, but battles have become more heated as digital media has sparked an on-going decline in sales and disagreements over fair royalty rates.  

 

Failure to streamline music licensing has also frustrated lobbyists and music executives. A failed attempt to streamline music licensing in 2006 created discord between songwriters and publishers. Ultimately, they could not agree on a stance, and the proposed bill expired.  

 

Then, the Stop Online Piracy Act (SOPA) was introduced in 2011, supported by Hollywood movie studios and music industry groups. Ultimately, Internet companies like Google and Wikipedia fought against it and beat the legislation.  

 

In light of the explosive success of music offerings from Pandora, Spotify and Google, industry leaders are renewing their resolve to cooperate.

 

Music attorney Chris Castle explained, “Generally speaking, most people are on the same side … The main concern is that we don’t allow the people who want to divide us from coming in and manipulating both sides against each other.”

 

Google, Apple and Amazon Rallying to Take on Spotify

 

Google, Apple and Amazon are looking to get more entrenched in the streaming music market and move away from the shrinking digital download market by enhancing their streaming offerings in order to compete with Spotify, which may be going public in the fall.

 

According to the New York Post, Google’s YouTube is working on launching a subscription streaming music service this summer. New YouTube head Susan Wojcicki will make the service available via its Music Pass app for Android mobile devices.

 

This service will be Google’s second entrance into the streaming market. Google Play has an All Access offering, which competes with Spotify, Pandora and others. YouTube’s new Music Pass will be $10 a month for the commercial-free option and $5 a month for an ad-supported version. Music Pass will allow users to continue to play music while toggling between email and other apps.   

 

YouTube has more than one billion unique visitors each month, and many experts feel this sizable user base could help it give Spotify a run for its money.

 

A YouTube spokesperson did not fully deny rumors of the new service, but said, “We’re always working on new and better ways for people to enjoy YouTube content across all screens, and on giving partners more opportunities to reach their fans … However we have nothing to announce at this time.”  

 

Apple is also reportedly talking to record labels about a streaming subscription offering under the iTunes brand. This would be separate from its iTunes Radio service.

 

An industry source declared, “Apple is further along than people are thinking … They have technology in place and can flip the switch at any time.”

 

Apple has been trying to come up with a way to get away from digital downloads in light of the changing global music business. Digital download revenue was down 2.1 percent in 2013, and streaming sales soared, rising 51 percent and hitting $1 billion, according to the IFPI.

 

Jeremy Silver, chairman of Musicmetric stated, “Downloads are declining … Very much it’s an indication of the mobile music market and a customer who wants on demand music at a great price.”

 

Amazon is also working with record labels to try to put together a music offering for its Prime subscribers.  

 

And record labels are now supporting the growth of streaming music. The $120 annual amount a subscriber spends is more predictable than occasional album purchases.

 

Spotify is also competing with Beats Music, which has spent millions on advertising campaigns and nabbed 28,000 new users in its first month.

 

CEO of Rdio Anthony Bay clarified, “It’s very early days for music streaming. There are over one billion mobile users and 30 million music subscribers in the world.”

Tags: Google+, iTunes Radio, music copyright laws, music discovery platforms, radio industry, Spotify, streaming music, streaming music revenue

 

 

segunda-feira, abril 21, 2014

6 CEO Productivity Tips to Steal for Yourself

Seems like good advice


6 CEO Productivity Tips to Steal for Yourself

Tips-for-productivity
IMAGE: MASHABLE ISTOCK GRMARC
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Everyone knows that leading a company is one of the toughest gigs around. Whether running a small business or a multi-national corporation, CEOs have to manage time, resources, and multiple demands while finding the time and head space to make decisions and plot strategies that will determine the course of their business.

Which means that they've developed some master systems and tricks to maximize their productivity.

So, why can't we steal a few moves from their playbooks? Whether you aspire to run your own business or want to be more productive at your current job, check out this list of CEO-proven tips that you can apply to any facet of your life.

1. Take breaks every 90 minutes

Tony Schwartz, president of the Energy Project, suggests taking breaks every 90 minutes to maximize your productivity. The reason? Human bodies have an energy cycle that operates at 90-minute intervals throughout the day. When we've been working on something for an hour and a half or longer, it's natural that our alertness levels will go down and our attention will wander or we'll feel drowsy (or start checking Twitter or Facebook).

The counterintuitive secret to sustainable great performance is to live like a sprinter. In practice, that means working at your highest intensity in the mornings, for no more than 90 minutes at a time, and then taking a break.

So, the next time your eyes are glazing over, instead of reaching for another cup of coffee, step away from your work for a few minutes instead. You might be surprised how much you'll get done in the long run.

2. Make yourself uninterruptable sometimes

There's nothing more frustrating than finally getting into the zone working on a big project — and then being interrupted by a co-worker or boss who drops by your desk. Worse, research shows it can take up to 25 minutes to get back on track after an interruption.

And that's exactly why Andrew Marsh, CEO of Fifth Column Games, has developed a system to make sure that everyone in his office can work without being interrupted. By placing a "cone of silence" on their desks, employees have a tangible symbol that conveys that they should not be disturbed unless it's an emergency.

I use the cone of silence when I'm working on a complex project that I need to concentrate on. Being able to focus intensely without interruption is a valuable productivity tool for everyone at Fifth Column Games.

Whether you need to stay focused on intense tasks for a couple of hours a day or you're working on a big project, using a system that informs people of this will get them into the habit of sending you an email for non-urgent tasks instead of dropping by your desk.

3. Manage your energy, not just your time

You know it's important to budget your time wisely — but it can actually be more effective to also manage your energy. Our own CEO, The Muse co-founder Kathryn Minshew, is a fan of optimizing her workday by doing her most concentration-intensive tasks during her peak hours, those golden hours when her energy levels are at their highest. Meetings, on the other hand, are something she avoids during these hours and saves for other times in the day.

I find it's been immensely helpful for me to pay attention to when in the day I'm most productive (what hours, under what conditions) and aggressively guard that time for focused work.

If you're a morning person, do your most important tasks first thing and save the tedious, mindless tasks for later in the day when your energy is waning. Not sure what your peak hours are? Try energy mapping to find out and make the most of your workday.

4. Don't be a slave to email

Gina Trapani, founder of ThinkUp, is a fan of checking email only at specific times of the day. Why? Instead of feeling that you have to respond to emails the minute they hit your inbox, you can save time and stay focused by setting a schedule for checking and responding to email (for example, once in the morning and once at the end of the day).

Shut down Outlook, turn off new email notifications on your BlackBerry, do whatever you have to do to muffle the interruption of email.

Depending on your position, this may not feel like an option — especially if your boss or colleagues rely on you for quick responses. But you may be surprised at how supportive people will be about your new productivity strategy when you explain it to them. Tim Ferriss, author of The Four Hour Work Week, suggests emailing colleagues to alert them to your new email schedule, explaining that the reason behind it is to increase your productivity, and asking that they call you for urgent matters. You can also set up an autoresponder with a message explaining when you'll be checking email again and how people can get in touch with you if it's important in the meantime.

5. Keep your emails short and sweet

CEOs don't have time for reading novel-length emails — or writing them, either. Andrew Torba, co-founder of Kuhcoon, even goes so far as to sometimes write one word emails and suggests treating your emails as if they have the same 140-character limit of Twitter.

Challenge yourself to think critically and efficiently when connecting via email or any other form of communication.

By keeping emails short and to the point, you'll not only save a lot of writing time, you'll also save your co-workers a lot of reading time. If your issue is too complex for a short email, scheduling a brief (5-10 minute) phone call can be much more efficient than a lengthy back-and-forth email exchange.

6. Delegate, delegate, delegate

It's easy to get overwhelmed by feeling that you have to do everything yourself. Delegating, however, is one of the best ways to manage your time. Passing projects off to other members of the team lightens your load and lets you focus on the projects that you do best. Entrepreneur Daniel Tan Kh takes this one step further, and advises not only delegating the tasks, but really trusting that the new owner will take full responsibility for getting them done.

Delegation is the most important fuel for productivity.

Delegating doesn't mean trying to get out of doing your work — but if you have too much on your plate, delegating one of your tasks to another member of your team can help devote more attention to your more pressing projects. Don't have a co-worker who can take on your task? Matt DeCelles, serial entrepreneur, suggests outsourcing your dreaded tasks to a freelancer onFiverr.com.

Tackling your to-do list may sometimes seem impossible, but if you try making these small changes from the masters, you'll be amazed at how much you can accomplish during your workday.

This article originally published at The Daily Muse here




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