quarta-feira, novembro 19, 2014

Measuring Global Audience Is Labor Intensive



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Measuring Global Audience Is Labor Intensive

11/17/2014

WASHINGTON—Imagine trying to measure your audience in third-world countries where people can’t afford a television set or a radio.

You can’t exactly ask these viewers and listeners to carry a portable people meter or fill out a diary. And call-outs don’t work either.

Yet that’s the audience Broadcasting Board of Governors-led U.S.-government-backed overseas broadcasters like VOA, Radio Liberty, Radio Marti are trying to reach. And to justify continued funding, the BBG needs to prove to the U.S. government that its broadcasters are relevant, impactful players.

BBG contracts with Gallup Poll to ask respondents about their media habits. In turn, Gallup works with local polling firms in the countries to get that data using in-person interviews.

Such interviews are typically 45 minutes in length and BBG keeps the data in its audience “wheelhouse” from two to five years. Think of it as an Arbitron/Jacobs Media Bedroom Project, a 2007 study of how young adults use digital media in their everyday lives, butfor overseas listening, where interviewers ask respondents, in their local language, about their media habits for TV, AM/FM and shortwave radio, online and social media sites. In many countries, much of the audience is reporting out-of-home media consumption because they may not own a TV set or a radio receiver, or perhaps the government restricts their power use or for some other reason, like war.

Figures released today for something like 100 markets show BBG has a global audience estimate of 215 million weekly people 15+ in unduplicated audience, including radio, TV, and Internet, up from 206 million in 2013. Markets where BBG is unable to conduct audience research, like North Korea, Tibet, Cuba and others are excluded.

The overall takeaways, according to audience research officials for the BBG, is the television, and online audience is growing at 124 million and 25 million people weekly while radio is stable at 111 million weekly people.

The largest audiences by country in 2014 were in Indonesia, Nigeria and Iran, compared to Indonesia, Nigeria and Mexico in 2013. You can see how the top countries measured by BBG rate later today as part of a larger report on the BBG website.

When I asked whether the analog or digital radio and television audience is measured, officials said it depends on the “local regime” in each country — meaning the method of delivery by the local media affiliate that BBG partners with (some 2,300) in a particular country.

Of interest is how programming delivered by BBG broadcasters Alhurra and Radio Sawa to the Middle East and Northern Africa is counteracting propaganda by ISIL, data they hope to have soon.

Though overseas audience data-gathering is different from such data gathered for a U.S. audience, where advertising markets are key, I have some context for what BBG is doing. One of my news radio jobs was at Voice of America. In 1986 when Dictator Jean-Claude “Baby Doc” Duvalier was ousted, the U.S. wanted to add more hours of democratic programming aimed at Central America. I was the English news anchor and writer for a daily VOA program broadcast mainly in Creole to Haiti. Our shortwave frequency was changed often to counteract jamming by the Russians and Cubans. We announced slowly, to counteract the variable shortwave signal and wrote with no jargon or contractions, to account for the fact that the majority of listeners spoke English as a second or third language.

BBG broadcasters are still aiming their content to countries that have what they politely call “challenging” news environments; the advent of digital means now they have more avenues to try and reach those audiences.

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sábado, novembro 15, 2014

#SFMusicTech Summit | Recap & Remarks - hypebot

#SFMusicTech Summit | Recap & Remarks - hypebot

#SFMusicTech Summit | Recap & Remarks

IMG_8280Let's start by admitting that I'm about to break several basic rules of journalism. While there's reporting in this piece, I am also a newly minted fan of SF Music Tech. So, it is with heartfelt gratitude that I take to my computer at 11:30pm to gather my thoughts after a whirlwind day at SF Music Tech Summit. Gratitude for Brian Zisk and the incredible team that worked tirelessly to pull of an impeccable conference; for the countless enthusiastic individuals who I crossed paths with both intentionally and circumstantially; and for the ideas shared, expanded upon, and set in motion throughout the day. While there is entirely too much future content for one blog post to handle, there were a handful of recurring themes worth highlighting.

Opportunity makes a follower. Experience makes a fan. 

"I believe all music fans have moments like this with their favorite artists. They see an amazing performance at exactly the right time in their life or they get to to meet a member of the band and they really like that person and the go from someone who really likes an artist to someone who is a true fan of that artist." - Ethan Diamond, Bandcamp 

IMG_8224The secret to making money? Knowing who's going to spend it. 

"The question around is recorded music an important part of a musicians life is, I believe, absolutely yes, how you present that recorded music is changing. Everything we've talked about are great ideas for monetization, but in order to make them work, you must first truly understand your fans - both who they are, and what they want." - Amy Dietz, INgrooves

Think like a Startup 

"I think we need to shift our mindset as musicians to looking at music as a small, medium, or large business depending on where you are in your career. It's like a startup, and if I were starting, I'd knock on every venue door, talk to every band that's playing, try to get in front of their audience, put my work out there for free, play as many shows as possible to try to best understand who my customer is and what they want." - J Sider, BandPage

IMG_8208System + Spirit = Success

"We never got a free pass. Our fans wanted our best. So our mantra was it's that 10% extra that makes it 100% better than anything else. Thats the work ethic we walked into every rehearsal with - our fans demanded it. That knowledge of our fanbase is what forced us into working for the credibility we came to have in this space." - Jimmy Chamberlin, Smashing Pumpkins

Dan Berkowitz, of CID Entertainment said yesterday, "Every single person in this room right now could sell words on the internet. Selling experiences is one thing, creating those experiences and over-delivering for those people is everything." That is exactly what, as an industry, you did for me at SF Music Tech Summit.

So, that being said, I want to personally thank each and every one of you for an informative, invigorating, and inspiring conference. I am eternally grateful to those of you who welcomed me into your tight knit community with open arms - I look forward to following your journies and to learning more from you along the way. 

I close out the day hopeful for the future of the music industry. Not because there aren't obstacles, but because there are people out there like you who are committed to overcoming them.

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quarta-feira, novembro 12, 2014

"Trava química" impede que duração da bateria cresça com rapidez do celular - Notícias - Tecnologia

"Trava química" impede que duração da bateria cresça com rapidez do celular - Notícias - Tecnologia

"Trava química" impede que duração da bateria cresça com rapidez do celular

A principal reclamação dos usuários dos smartphones --independente da marca ou do modelo--está relacionada à durabilidade das baterias, que os tornaram reféns dos carregadores e, consequentemente das tomadas.

Se há uns três ou quatros anos as cargas chegavam a durar até uma semana, atualmente, no entanto, o tempo entre uma recarga e outra dificilmente ultrapassa 24 horas. Por que isso acontece? Será que as baterias não acompanharam a evolução dos celulares? Ou será que não se adequaram ao novo comportamento dos usuários?

Maria de Fátima Negreli Rosolem, perita em sistemas de energia do CPqD (Centro de Pesquisa e Desenvolvimento em Telecomunicações), afirma existir uma desproporção dos avanços dos celulares e das baterias. Uma diferença que, segundo ela, 'atravanca' de certa forma o desenvolvimento do setor de telecomunicações. 

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Bateria do smartphone pode durar mais com ajustes simples; saiba como25 fotos

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Quem usa smartphone sabe que um dos pontos fracos do aparelho, independente da marca, é a duração da bateria. Isso ocorre justamente porque as funções ""inteligentes"" consomem a energia do celular para funcionarem. Mas alguns ajustes pequenos nos smartphones podem fazer a bateria durar mais nos sistemas Android e iOS; veja a seguir Arte UOL

Mas, como justificou Maria de Fátima, as pesquisas nas áreas de materiais são muito mais demoradas, principalmente por trabalharem diretamente com compostos químicos. "Não é algo que se possa lançar de um dia para noite. Depende muitos testes para que se possa garantir que os elementos não sejam agressivos ao meio ambiente, não comprometam a saúde dos usuários e, além disso, seja eficiente", explicou ela.

Para João Carlos Lopes Fernandes, professor de Engenharia de Computação do Instituto Mauá de Tecnologia, não dá para dizer que não houve uma evolução tecnológica das baterias, mas elas ainda são insuficientes para atender a demanda dos usuários.

"O perfil dos consumidores mudou significativamente. Antes os celulares, que serviam basicamente para receber e fazer chamadas, passavam a maior parte do tempo no modo standby. Hoje esses mesmos usuários passam 24 horas por dia conectados à internet pelo dispositivo móvel."

Consumo que, segundo ele, ganha ainda mais peso com a velocidade das redes. "Antes o acesso à internet era garantido pela rede 2G, que está sendo substituída pela 3G e 4G, e quanto maior a velocidade, maior o consumo da bateria." Ainda assim Fernandes cita evoluções consideradas importantes dos sistemas de recargas: "Nos primeiros celulares, na década de 1980, a bateria durava entre 5 e 10 minutos de uso. Sem contar nas recargas que levaram até 24h para serem concluídas", acrescentou ele.

Mesmo reconhecendo o aumento das funcionalidades dos smartphones --que levaram o computador para o celular-- e demandam uma potência cada vez maior das baterias, Maria de Fátima também destaca a intenção do setor de materiais em criar produtos que tenham durabilidade maior, menor tempo de recarga e vida útil superior aos atuais quatro anos. "A evolução está constante, mas é mais lenta do que a eletrônica. E essa lentidão, para os mais leigos, chega aparentar uma estagnação. Mas isso não é verdade", afirmou.

"Países asiáticos, assim como os Estados Unidos, têm investido muito dinheiro para encontrarem soluções mais eficientes. O setor ganhou ainda mais força com a chegada dos veículos elétricos, que também demandam evoluções nos sistemas de baterias ainda mais complexas do que as de celulares, mas que podem ser adaptadas", apontou Maria de Fátima.

O UOL Tecnologia levantou alguns dos protótipos de baterias e carregadores que, quando lançados no mercado, podem diminuir a dependência dos usuários de smartphones com as tomadas. Veja:

Protótipos de baterias e carregadores

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Gadgets portáteis recarregam bateria de smartphones e tablets; veja opções 24 fotos

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Nem sempre quando a bateria do seu smartphone ou tablet acaba você está perto de uma tomada para recarregá-los. Para evitar o contratempo, gadgets portáteis e capinhas podem dar energia extra para os dispositivos -- você só tem de se lembrar carregá-los previamente e depois levá-los na bolsa ou na mochila. Veja a seguir algumas opções à venda no Brasil | Preços consultados em março de 2014 Reprodução




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